September 14, 2026

John Marshall

Certified Power Golf Instructor in Atlanta, Georgia Golf Tips Magazine Top 25 Teacher in America Golf Digest Magazine Certified Instructor Two-time ALDA long drive champion

As many of you sophisticated, data-driven golfers probably know, the biggest indicator of your scoring potential is how many greens you hit in regulation. If you are hitting three or four per round the chances of you being a single-digit handicapper are eerily similar to you scaling Mount Everest. But even the Tour players that you watch on television only average 13 to 14 greens hit per round. But in their case, if they weren’t getting up and down the vast majority of the time they would be playing for club championships and not US Opens.

Oftentimes I will hear instructors say that if you want to knock a shot or two off your scores in short order start with the low hanging fruit. And that, for the vast majority of golfers, would be chipping and pitching.

Let’s start with setup. For chip shots have the feet close together with maybe a clubhead of space between them. With pitch shots a little bit wider. Your weight should be 60–70% on the lead foot and the ball just slightly back of center. Depending upon the lie you will usually have the hands slightly ahead of the ball.

Ideal set-up for chip shots. Feet close together, ball back in stance, arms and club shaft form the letter “Y”.

An enormously important aspect of improving your short game to know how to assess a lie. A 30-yard shot where the ball is sitting up in 2-3 inch rough actually gives you more options than if you’re on an ultra-tight fairway. Learning assessment takes some practice and experience. When you are practicing don’t move the ball around until the lie is perfect. Make shots difficult so that you learn. As Nick Saban often said, “We make practice hard so games will be easy.”

In the setup we are creating the letter “Y” with our arms and the shaft. We maintain that “Y” throughout a chip shot. With pitch shots we form the letter ”L” between the lead arm and the shaft at the top of the abbreviated backswing. There is an “L” in the backswing and an “L” in the through swing. I always want to see the backswing and through swing lengths to be the same. And this goes with every shot in golf from a full swing with the driver to a 3-inch tap-in.

Pitch shot look for the following: “L” in the backswing and an “L” in the through swing

Raymond Floyd was inarguably one of the greatest chippers ever. He got as close to the ball as possible to the point that the shaft of his club was almost vertical and the heel of the clubhead was slightly off the ground. He felt this was a chunk-proof set-up and for him it was. It might be for you as well.

Setup basics for chips and pitches:

1.     Feet close together for chips; a little further apart for pitches.

2.     Have 60-70% of your weight on your lead foot for every short game shot.

3.     Ball position slightly back of center with chips; pretty much centered with pitches.

4.     Hands slightly ahead of the ball.

5.     Shirt buttons vertical with pitch shots and tilted toward target with chips.

A frequent mistake that many higher handicappers make is for their chest rotation to stall in the downswing. When that happens, there is a much greater tendency to scoop. It is virtually the same as casting in the full swing but on a much smaller scale. If the body doesn’t rotate, we will throw the club from the top, which will almost never end well.

So even on a chip shot where you are only flying the ball less than 10 yards in the air, we still need to have some amount of chest rotation through the impact zone.

To maximize quality of contact, I often have my students think about the buttons on their shirt. When setting up with the driver, the spine is tilting away from the target to encourage an upward angle of attack. This means that the buttons are angled away from the target as well. In the set up for full swing iron shots the buttons might be stacked on top of each other. But with short game shots, if the button line is angled slightly toward the target, it becomes much easier to make ball first contact as we have moved the low point of the abbreviated swing to the target side of the ball.

Occasionally a student will ask me if I believe in using the same grip for every shot. Generally speaking, yes, but if they want to weaken it slightly (hands turned a little more left for a right-handed player) with short game shots it can be beneficial. This will encourage a slightly open clubface through impact resulting in less chance of digging into the turf. If you watch the best players in the world hit short pitch or bunker shots, they will often have the clubface pointed nearly at the sky in their finish position. This enables them to use the bounce on the wedge most efficiently.

When it comes to club selection, always remember that the less loft you use the less risk you take. Chipping with a hybrid (try it and I bet you’ll like it) is pretty much risk proof whereas the same shot with a lob wedge off a tight lie can be terrifying if you haven’t practiced it much.

Last, but certainly not least, use your lead arm to dial in distance control with pitch shots. When your lead arm is parallel to the ground, call that 9 o’clock and determine how far you hit the golf ball from that position. When you go to 9:30 or 10:00 or 10:30, calibrate those distances as well. But keep in mind that this only works if you are making solid contact.

No one has ever gotten good at the short game (or any element of golf) without practice. Always make practice challenging so that shots on the golf course are easier.

Ah, to be 23, the number one ranked female player in the world and number seven on the all-time LPGA career earnings list. That would be the situation with Jeeno Thitikul of Thailand who in 2024 won the largest first place check in LPGA history ($4 million at the CME Group Tour Championship) and then repeated the accomplishment this past November with a winning score of 26-under par. It would be an understatement to say that she showed early potential, capturing the Ladies European Thailand Championship at the ripe old age of 14. Apparently, she possesses a hefty dose of talent. Oh, and by the way, her 2025 scoring average of 68.68 was the lowest in Tour’s 75-year history

Like all great players, she is very fundamentally sound from setup to finish position. She has a minimal amount of knee flex and her arms are soft and hanging with virtually no tension. Her toes, knees, hips and shoulders are all parallel to the ball-target line.  This sounds like a no brainer, but many players struggle with it because of eye dominance. It has been my experience that the vast majority of right-handed, right-eye-dominant golfers aim too far to the right which can often lead to an over-the-top downswing as they attempt to yank the ball online. Interestingly enough, arguably the two greatest players in history – Jack Nicklaus and Tiger Woods- are both left-eye dominant.

Classic setup: Both elbows are pointed at her hip joints

Another solid setup aspect is that both elbows are pointed at her hip joints. If you have ever read Ben Hogan’s classic instruction book “Five Lessons: The Modern Fundamentals of Golf,” you will see an illustration of Mr. Hogan’s elbows in the same position. Why is this important and why is it worth copying? When the elbows are in this position, the right elbow folds easily in the backswing and same with the left in the through swing. If the right elbow, for example, is pointed away from the target in the setup it becomes challenging to keep the club on the proper plane going back.

Rotates her left wrist slightly counter-clockwise in backswing

During the takeaway, she makes a very subtle move that I really like. She rotates her left wrist slightly counter-clockwise which serves to keep the clubface perpendicular to the path of her swing. When the shaft is parallel to the ground halfway back the clubhead is parallel to her spine angle. In previous times this was considered to be a closed clubface. Not any more!

Jeeno bowes her left wrist at the top

This also has a significant impact on her position at the top of the backswing. Her left wrist is slightly bowed (anatomically speaking this is called wrist flexion) which very slightly limits the amount the wrists can hinge. For reference, the opposite of this would be John Daly whose cupped left wrist (extreme wrist extension) allows the club to go way past parallel at the top of the backswing but also results in a far greater amount of dispersion because the clubface is open. Golf swings have certainly evolved over the years and a bowed left wrist, or at least flat, is now in vogue. As it should be.

Like all great players, her right elbow never gets past 90 degrees at the top of the backswing. This ensures maximum width which adds to her substantial swing radius.

During transition, Jeeno moves easily to her left side because she didn’t move much to the right side in the backswing. If you stay very centered at the top like she does, you really don’t need to think about a weight transfer. The momentum of the swinging club will get you to your left side.

When she comes into impact with left arm parallel to the ground her belt buckle goes up approximately four inches and it happens very, very quickly. That causes the club to go down very, very quickly and increases her speed. With far less skilled golfers this upward movement happens way too early in the downswing which decreases rather than increases speed. Just one more reason why she is playing on television and the rest of us are watching her on television.

Textbook finish with weight totally on her left side

Her finish position is right out of a textbook. Weight totally on the left side, up on the right toe, right shoulder closer to the target than her left.  The golf ball has no choice other than to go long and straight.

Like nearly all Tour players nowadays, Jeeno puts in plenty of time in the gym, working on both mobility and functional strength. The end result of all of this is a young lady at the pinnacle of the golf world who will remain there for many years to come.

Article by: John Marshall, Golf Instructor, Two-time ALDA long drive champion & Golf Tips Top 25 Instructor

John’s Website: jmlongdrive.com

 

It probably goes without saying that if you are a regular reader of Golf Tips Magazinemore than likely you are a devoted swing junkie constantly on the lookout for the next great thing. You admire movements that are both aesthetically pleasing and that also produce extraordinary results on a consistent basis.

If you don’t watch the LPGA tour as much as I do, perhaps you are not familiar with the swing of Minjee Lee which is elegant in its simplicity while directing the golf ball where she wants it to go on an amazingly consistent basis. Since joining the LPGA in 2015, she has won 11 times including three major championships, most recently the KPMG LPGA title.

Textbook posture, lower back is flat with no arch

If you are looking for textbook posture, this is it. Her lower back is flat with no arch. Her arms are hanging straight down and are totally relaxed and soft. Her armpits are over her kneecaps and balls of feet. The end of the club is roughly a hand width from her body. All of these elements put her in the proper position to be able to rotate thoroughly through impact which is a key to her impressive power.

Shaft parallel to the ground halfway back. Clubhead is toe up and slightly outside hands

When the shaft is parallel to the ground halfway back the clubhead is toe up and slightly outside her hands. Nowadays most instructors (me included) prefer to see the clubhead tipped forward so that it matches her spine angle. For multiple centuries golfers were told that toe up was square. In reality, it’s open. When the club is tipped forward it is perpendicular to the path. That is the definition of square. Minjee corrects this issue at the top when she bows her left wrist which immediately puts the clubface parallel to her left forearm. It doesn’t really matter when or where you square the face as long as it happens prior to impact. Interestingly, Graeme McDowell does the same late bowing and both he and Minjee are US Open winners.

Neutral grip two knuckles on her left hand showing

Great swings are a product of great set ups and Minjee’s could not be more fundamentally sound. She has a very neutral grip with two knuckles on her left hand showing when she looks down. She positions her right thumb a bit more on top of the handle than most great players. Generally, I’m not a fan of this because when most amateur golfers do this they tend to press down hard with that thumb which is not an ideal thing to do. Her thumb is very soft and relaxed with no downward force directed toward the handle.

Her feet are spaced approximately shoulder width apart, and there is a little bit of flare with both which helps her turn in both directions. With irons, the grip end of the club is pointed at the inside of her left thigh which presets her to have the appropriate amount of shaft lean at impact to compress the golf ball.

At the top: 40° hip turn, maybe 95° shoulder turn. Approximately 55° of separation

 

Arms fully extended after impact, shoulders have caught up to hips

 

Minjee has set-up for maximum swing speed and well balanced finish

At the top of her back swing from this facing angle, Minjee has roughly 40°of hip turn and maybe 95° of turn with the shoulders. So that is roughly 55° of separation. When both arms are fully extended just after impact the shoulders have caught up to the hips and they are essentially aligned with each other. To reach that point, obviously the shoulders have to move faster than the hips. And since the arms are attached to the shoulders and the club is attached to the arms, that speeds up the clubhead. At the conclusion of the swing, her shoulders have raced by the hips, and the right shoulder is almost facing the target. That is a thorough release creating tons of speed.

Article by: John Marshall, Golf Instructor, Two-time ALDA long drive champion & Golf Tips Top 25 Instructor

John’s Website: jmlongdrive.com

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